Burning Bones
Life and death in Varanasi, the world's oldest continually inhabited city
3/28/08 - 3/31/08

A short man with well-muscled arms walks through piles of dirt and ash. The sun on his head is fierce. He pulls in hot, dry breaths through nostrils seared by years of working with fire.
He finds respite by ducking into an alleyway barely wide enough for a pregnant heifer. At the intersection of this alley and a worn stone walkway is the wood shop. The man stops in front of this ancient garage, a square-shaped hole where wood particles make stardust over piles of cords.
A shirtless shop assistant, his ribs begging for attention through thin skin, piles a six-piece cord on top of the man’s head. The logs are pale and nubby, not unlike the bones they will soon incinerate.
Below the shop, giant woodpiles as high as two men make a brown relief on ashen soil. Funeral workers, sweat dampening their checkered turbans, add and pull rhythmically from the pile. The wood clack-clacks like bones. Even the colors here, the India vermilions and canary golds, are muted by ash and dust.
This is Varanasi’s Manikarnika Burning Ghat, ancient, man-powered, and open 24 hours a day. Funeral workers chop wood and move bodies with unsmiling instinct, somber but uninvolved. They follow an age-old instruction manual as they complete the funeral ritual, dousing oiled, colorfully shrouded bodies in Ganga water, piling up logs just so, and burning the bodies from the middle outwards. When the body collapses in the middle, workers push the rest into the pyre with a pole.
We can smell the fires from our hotel room.
But Varanasi is not all death. On either side of the Burning Ghat, a long line of bathing ghats host a hive of activity.
Boys—young, fresh, full of mischief—swim out to our tourist boat. Fat men with furry backs and slick potbellies sidestroke like seals. Women take a holy plunge in delicate silk saris. Priests offer prayers, still as reeds on a mellow morning, eyes staring at the God inside. Freshly laundered saris in butterfly-wing colors make crisp squares on ancient steps.
Deeper inside the maze of the dark, ancient Old City, flocks of pilgrims make colorful rivers of alleyways. Red-faced monkeys scavenge from rooftops and panes. Bells and drums clamor for attention amidst throaty generators, monotone chanting, rumbling mopeds, and distressed cows.
Varanasi’s assault doesn’t end with sounds. Imagine endless dark alleyways smeared with cow dung, sandalwood burning in tiny shops, holy men squatting beneath moldy umbrellas. Clouds of flies, horned calluses on bare feet, heaps of marigolds, Kali’s skull-rimmed face, fires burning at intersections, hidden temples, clouds of bliss, endless chanting. Kids peering out of Alice-in-Wonderland doors and playing cricket in secret courtyards.
During the sweltering nights, men crowd the alleyways, high off bhang or booze or otherwise languishing in low lazy clusters. The temples stay lit, and aarti offerings surf the river’s current, beelining towards fulfillment.
We spent three days exploring this potent, paralyzing, mythical city. And it still, at times, feels like 567 B.C.
Next, we’re taking the train to Kolkata, from which we will fly to distant, exalted (and pressure-cooker hot) Thailand…
Posted by -andrea- 4/16/08 04:00 Archived in India Comments (0)
“Are you going to Holi?” We ask Suni, the friendliest, slightly bashful member of the group of six Nepalese guys working at the Oasis Café next to our tree-house hotel in Rishikesh. 
After lunch at the hotel, we decide to return to the park gate and explore the fort ruins there. Unlike many other tourists, we pass on the evening tiger safari. We figure it can’t get much better than our morning tiger sighting.
They swerve and almost fall off the bike when they realize they’ve just been ambushed by a tiger. She walks towards them and they leadfoot away, their faces pure alarm.